The one odd thing about this implementation is that there are no controls to set bitrate. Good for performance, yet still. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. that offers virtually all the features of Apple ProRes 422 HQ but with a data rate of 66% for even greater multistream, real-time editing performance. Add it to the Render Queue and render it out. mov. YouTube itself recommends using the . 264 is absolutely backwards. 264. Follow; Report; More. Unlike ProRes, CineForm is a. It edits/scrubs perfectly, and is good enough to use for color work. These files are created for fast editing and are still highly. But if a scene only needs 10 bits, then Cineform will use 10 bits. You have to create, edit, and package your video in a way that works across different platforms. There was a significant file size difference,. 264等面向分发的格式解码更简单。. So why not H. From there you should be able to find ProRes 4444. 2, MacOS 12. People will argue about ProRes vs Cineform vs DNxHR as an intermediate mezzanine codec. If your source media has one, you'll need a proxy/optimized format that has one, eg DNxHD 444 or ProRes 4444. ProRes 1080 is around 115Mbps. At this point in time working with Cineform basically locks you into using only Adobe tools. DNxHD and ProRes, or H. will do the trick. Votes. 嘿，这里是 源源捣。 最近我为大家分享了利用DNxHR、Prores、CineForm这类中间编码文件代理剪辑视频的方法，不过前不久在我为大家分享如何用PR制作三连小动画时，片尾提及了动画编码格式。因此本文会为大家更加详细的介绍一下动画编码格式以及它与其他三个编码器的适用场景。The quality difference between using something lossless and a purpose-built intermediate codec like ProRes, DNxHR, or Cineform is going to be negligible after you compress to h. 264 or whatever after export. If you are shooting H. easyDCP (3) RGB and YUV422. A depth of 48-bits is equal to 16-bits per channel (R,G,B). 264 file into a high quality edit friendly codec like one of the flavours of ProRes, DNxHR or Cineform, with ProRes 422 HQ being perhaps the most common. Then brought the footage into FCPX, color corrected edited, added my titles and graphics and exported a . That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. I could not notice any discernable difference between scrubbing performance, or the time it took to transcode. Neil. 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. First up is Avid DNxHD 175 8-bit. If your computer has the hardware to decode H. We would like to show you a description here but the site won’t allow us. ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. KineRAW-MINI can save data in CinemaDNG format, while KineRAW-S35 can save data in CinemaDNG and Cineform RAW (one time/both). 264 didn't have 10-bit implementations and H. 264. h. 6 and later; iPad Pro 12. I am a paying customer. Avid's DNxHD/R is a great codec, as is ProRes, they have "flavors" that are very close to each other. Import clips into Davinci Resolve, and output ProRes proxy files; Do editing work in NLE like FCP or PR software, and then output. Now the difference between a proxy and an intermediate. It's ~175M at HQ, and ~80M in LT. The way this works is quite technical but it essentially amounts to using the extra pixels present in the 4K files to rebuild the lost colour information. 264 format. . Report. The problem is: it’s frickin MASSIVE. I want to preserve as much quality as possible because the videos will be edited into into 1080p non-VR video in premiere pro. Although your codec is only 10 or 12 bpc, I've found that over-sampling to 48 bits is better than up-sampling from 24 bits. You just need the codec pack for windows. GoPro CineForm，无论是在Windows还是Mac OS. Much like the H. 6. proxy (0) lt (1) standard (2) hq (3) 4444 (4) 4444xq (5) The FourCC codec IDs for the different Apple ProRes. Cineform is wavelet based (like Jpeg2000, so that's why can be easily decoded at different resolutions), where DNxHR is DCT based, like most codecs out there (ProRes, AVC,. mov ProRes 4444 XQ 10bit. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. 264/H. The ELI5 explanation is that a codec is like a way of storing clothes (like rolled up, wadded up, "properly" folded, on a hanger. 视频不见了？. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. So. 3. dng c:framesourcesequence. Documentation & downloads. It would be great if the proxy options could show more information. 264 to something else is probably a good thing. So here's an attempt at. īecause companies publish their own specifications in different formats, it can be difficult to compare codecs directly. Quote:ProRes 422HQ 10-bit is "Visually Lossless" but same time 1. Yes, PR takes longer to upload (but YT can resume uploading, so you're OK there) and takes longer for YT to chomp through to make the various quality versions. Supported OS. So the difference in file size and data rate is rather small (this was using. It has a target data rate of approximately 330 Mbps for. I have to disagree with Philip on this one – hard drives are cheap – I’d go with ProRES HQ. HEVC compresses video in a more efficient manner than AVC but with the same level of image quality. ProRes 422 LT. 6. Examples are ProRes, Cineform, and DNxHR. youtube re-encode it anyway. with actual version of cineform you can use command line to convert DNG to cineform raw, i did it with a simple . NOTE: I will be spending a substantial amount of time discussing how to remove flicker using various programs as it is a highly requested topic. ビットレート比較. Use 1080p proxies then. BTW: Check the size of the main folder and proxy. Typically I use the following codecs - h. Any of the low resolution presets will work ok as long as it is Quicktime, I just found cineform to be the smoothest on my machine. Cant seem to find and reference to VLS player, though I do use VLC player. 1. A depth of 24-bits is equal to 8-bits per channel (R,G,B) 24/8=3. Ps. 264 for possible quality though much bigger in file size. To smart render to/from QT AVC-Intra, install the QT AVC-Intra codec. DNxHR and ProRes are comparable in quality at the same bitrate. I know a good number of people starting using Cineform again. 4 Replies Nils Welter February 23, 2015 at 10:21 pm Hey Matt, Premiere Pro can also handle DnxHD Footage wrapped in MXF Container with better performance. So we’ve scoured the Internet and brought them all into a single page. Earlier this year, Adobe started selectively supporting ProRes Raw, but only for Windows users running Nvidia GPUs. MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid; MOV (GoPro Cineform) - Amazing format primarily used in Adobe Premiere; MOV/MXF (JPEG 2000) - Used with Avid, Premiere and Final Cut X; MOV (Animation) - Used with Avid and Premiere; Most of the mezzanine files above are available in Adobe Premiere, Avid and. Reply. Right now it is not clear what High, Medium and Low mean from the interface itself, which is bad for a variety of reasons. Choose source files in the project window → right-click → Proxy → Create Proxies. The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. Selecting the Right Codec for Windows Users: For Windows users, choosing between the GoPro Cineform and DNxHR codecs might. 8 GB. Everything in the folder is reencoded from 4k h. magnusson wrote: It's under the QuickTime render settings. ” All variations of ProRes have a video bit-depth of 10 bits or greater. While no codec lasts forever, ProRes and Cineform are already 64-bit and are actively supported by Apple, GoPro and other developers. 264 for possible quality though much bigger in file size. But, for SDR content upscaling 8-bit output should be fully sufficient with no visible differences compared to 10- or 12-bit (or excessive 16-bit) frames. The -profile switch takes an integer from -1 to 5 to match the ProRes profiles: -1: auto (default) Quote:Cineform "Visually Lossless" is extremely fast and size vs quality may be adjusted in very large limits. I’ve always strongly felt that cineform’s 4:2:2 space is an advantage for many types of work, so I’m surprised to see so many people going for 4:2:0 prores LT. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. Neil. H265 1fps Conclusion- there is no clear winner. fantawalter. This makes the codec an excellent choice for image acquisition, post production processes, and even broadcast delivery. Windows 7/8/10/11, MacOS 10. 3 and Fusion Studio 17. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. Share. Short Answer: YES, we still need them and will continue to for a while. 5) 4. Is there a real advantage in transcoding of DSLR H. FFmpeg contains two ProRes encoders, the prores-aw and prores-ks encoder. 265, where there are only complete or " i-frames " every 9-30 (or even more) frames of media. 37GB, 864Mb/s, 5760x2880. Neil. 265. Typically I use the following codecs - h. Hi, Thanks for the advice. Cineform partial resolution decoding works in Premiere, Resolve, Assimilate Scratch and possibly Vegas (at least I know about those). Under 'Advanced features' set 'hardware acceleration' to Nvidia NVENC. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. The codec is available in Adobe video apps in CC 2014. PhotoJpeg - will render fast and give good quality. Import H. Go to Sequence > Sequence Settings > Editing Mode: > Custom. ProRes HQ (avg: 61. Step 3 Edit GoPro CineForm video (Optional) Before converting GoPro CineForm video to MP4, you may also first edit the GoPro CineForm video files: Click the "Effect" button to. 1. 264/H. I am debating whether to jump into the Canon 5D Mark III Raw video capture world, but as I have been researching the topic and equipment further I am now wondering what kind of real world computer performance in necessary in order to edit Raw video? I have a Mac Pro (2009) with 1. 2) 5. The only thing is ProRes LT is almost the same file size as the original footage, so its not ideal. To use it, you must enable it's plugin. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？It is always best to render out to a higher resolution codec first, this could be a Quicktime Animation, PNG, ProRes or Avid DNxHD, Cineform for example. In all the tests that I’ve done, Cineform is surprisingly effective at being an easy-to-process codec. I used Cineform codec for years. 4. I personally recommend Cineform Film Scan 2 (same perceived quality as Prores 4444 at much smaller file size). 264, H. The projected data throughput is roughly 147 Mbps at 1920x1080 and 29. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. This codec features a remarkably low data rate compared to uncompressed 4:4:4 HD. WMV: WMV stands for Windows Media Video. Studio for >=4k mj2 – – yes Kakadu. Both Cineform and Prores are designed to allow the fast decoding of fractional resolutions. Nope. 360 file with a duration of 33 seconds and a size of 264MB. I did a comparison between 4K and 5. The selected format determines the preset options that are available. Speed effects, time remapping, or reversing the clip are definitely in the "complex" category for H. Sat May 12, 2018 9:02 pm. Codecs are invented to compress and decompress multimedia data in your video file in either a lossy or a lossless manner. 264 is interframe, meaning it stores the data. 26x and MPEG standards, the ProRes family of codecs use. #2. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. 264, when compressing media: HEVC supports frame sizes larger than 4K, H. Sign in with Facebook. Davinci Resolve decode: Native, YUV 10-bit, RGB 16-bit. Then I added all my GPCF media, and re-encoded to Apple ProRes 4444 with alpha, since my source material was from Adobe Character Animator (which used to offer the CineForm codec for output with alpha). These will show the options in the next step. Another significant advantage of the Blackmagic RAW is the compatibility to multiple OS platforms (Mac, Windows and Linux) contrary to ProRes RAW which is. One key advantage of filming in UHD (4K) over HD (1080p) is its superior viewing experience when displayed on HD 1080p viewing devices. Cineform is a wavelet compression codec, with 10-bit YUV and 12-bit RGB variants, which like ProRes support compressed alpha channels in the RGB variant. Below are screenshots of Avid DNxHD 175x 10-bit produced by Adobe Media Encoder for a more fair comparison. CineForm seems to use 0…1023. ProRes is not a singular thing, though. Thanks for the link, very intresting, I was leaning towards Cineform, I will do some tests. Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. Gopro CineForm RGB 12-Bit with Alpha At Maximum Bit Depthface. To download the GH4 ProRes LT files at 4K resolution click here. On the contrary DaVinci Resolve can support MOV with many codecs: MOV Apple ProRes 422, MOV Apple ProRes 4444 XQ 16 bit, Cineform 3D 16 bit, Cineform YUV 10 bit,. I usually use ProRes Proxy at 720p, which will require about 45mbps for 60fps (about 20GB per hour of footage. No alpha. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. Codecs refer to the way that audio, video, or other data is encoded, whereas containers refer to the file that contained encoded audio and video. Daniel2 Codec Summary. So we’ve scoured the Internet and brought them all into a single page. Community guidelines. 48/3=16. If you aren't making that many edits and primarily have talking heads and a bit of broll you'll probably be okay. Thus CineForm 444(4) would be a more appropriate intermediate and interchange format these days. Is there anything preventing adding DNxHR and CineForm to the Blackmagic Proxy Generator? I suppose the new HyperDeck can't play CineForm, but it can play. CDNG is a 12-bit 444 image sequence that records each frame as an individual image file per frame, this would mean you have have 24 files per second when shooting at 24p. This ffmpeg command: ffmpeg -i input. It has been also discussed countless times, yet every few days there is the same question. But making a video isn’t the same as writing a blog post. As an animator I always choose intermediate over lossless – partly because I’m too lazy to install Lagarith Lossless again, and partly because there is no quality difference visible to the human eye between lossless and intermediate. As some said below it sound like you're on Windows, ProRes is an apple codec - but you will be fine with a H264 - this is perfectly acceptable for Youtube, but you. Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. Worth mention is that one have a Quality slider for all CineForm exports. That being said, starting with a higher quality file is ALWAYS recommended, as YT will always recompress what you upload. Re-encode the H. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. 264 and HEVC have poorer quality than ProRes, for example. check out their converter and try for yourself. 264 for possible quality though much bigger in file size. Very confusing, especially when someone could choose "Low" in Resolve and get Cineform Medium, or "Least" and get Cineform Low! BMD Pocket 4K / MacBook Pro 16" (6-core, 32GB RAM. These programs will include Premiere Pro, LR Timelapse, Lightroom, After Effects, Photoshop, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. Follow; Report; More. Yes, you should transcode to an intermediary codec such as Cineform or ProRes (if you happen to be using final cut). 5) 4. 264/265, both will be smooth. fs454 • 4 yr. All codec bitrates are calculated at 1080p 23. 264 is rather slow) but that's okay. DNxHR and ProRes are comparable in quality at the same bitrate. ProRes 422: This is the format I recommend for anyone shooting DSLR, HDV, AVCHD, XDCAM EX, XDCAM HD, AVCAM, or P2. . Press OK to save the changes. You can edit Apple ProRes files in the Photos app or iMovie on iPhone, iPad, and Mac, Final Cut Pro for iPad and Mac, or in third-party editing apps that support ProRes. It is comparable to Avid’s DNxHD codec or CineForm which offer similar bitrates and are also intended to be used as intermediate codecs. This is quiet slow (very slow), is it possible to use hardware acceleration to decode/encode the media files into ProRes? Add -q 4 to the command. 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. Community guidelines. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. DPX, or any other combination, you’ve come to the right place. Formats like Apple ProRes, GoPro Cineform, XDCAM, and Avid Dnx are commonly used as “working” codecs in Premiere Pro because they are enhanced to use CPU or GPU and are included with the standard install. 264 in software running. Re-encode the H. Make previews capable of smart rendering and better playback. I am pretty happy with the results and files works smoothly on both workstations, windows and osx. It's getting boring. But it isn’t as widely supported as ProRes and DNx. Any of them are good. Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. BluRay allows for MPEG-2 at 50M, but most commercial BluRays produced after about 2008 or so used H. Apple’s ProRes video format is a high-quality lossy format that supports up to 8K. 6. Once your window is open, go to your export settings in the top right of the window and change the 'Format' to 'Quicktime'. . While CineForm may have an edge in terms of color depth and image fidelity, ProRes is widely adopted in industries like broadcasting, film production, and professional video editing due to its ease of use and compatibility. 5 slower than realtime. It must decode every frame fully. DNxHR and ProRes are comparable in quality at the same bitrate. 6. This will cover about anything, maybe. CineForm. There are a few different software solutions I use as well and will be touching on each when I do the post-production section. 10bit Cineform 5 (avg: 62. Note these are from the pre-production camera, firmware v0. ProRes. There was also a 12 bit Bayer raw Cineform conversion offered in the original software. Cineform uses "wavelet" compression, which means that computing up/down resolutions is very fast compared to other codecs. • 2 yr. It is widely used for 4K video editing and offers excellent image fidelity and efficient compression, making it the most popular codec in professional post-production workflow. Studio for >=4k/Dolby P3D65. 264 or Cineform format, and then adjust the resolution frame size using the video tab, then save the preset using the save preset button. 테스트 PC : i7-5820K @ 4. A third good option is Cineform, which. Daniel2 is different. mov. 返回首页. I wanted to see how they'd compare in a real-world example. It appears that VLC supports Cineform natively. 2) 5. To export a video with an alpha channel, go to the export settings in Premiere Pro, and select a format that allows for an alpha channel such as Quicktime. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. Main idea is to choose an intraframe delivery codec, not interframe (atleast for master files). ProRes vs DNxHR vs Cineform (i. DNxHD 115 - Cineform 422 @ 1080 DNxHD 120 - DVCPRO HD, Motion JPEG @ 1080 DNxHD 145 - HDCAM DNxHD 220 - Sony SR Lite DNxHD 440 - Uncompressed 422 10-bit @ 720, Sony SR SQ, HDCAM SR. Here's a table with codecs and their supported frame sizes, bit-depths and a few other key information: link. CineFormでのレンダー後ファイルもmacは対応していないので。5. ProRes is resolution independent which means it can accommodate any size frame of your choosing. 它可与 DNxHD 或 CineForm 相媲美，后者提供相似的比特率. 3GB - 684,847 kbps. 7. ProRes is a compressed format, but one that aims to be “visually lossless”. To date, I have been using the ProRes HQ format that the device allows - this gives a 10bit 22MB per second video recording (176mbps) - I shot a 10second clip today using the DNxHD codec, and see that it gives a 10bit 23MBper second video recording (184mbps). To get better performance in the edit, you need to use an intraframe codec like Prores, Cineform, or DNX. Developed by. Blackmagic Design admits that Blackmagic RAW is one of their biggest announcement yet. It has a target data rate of approximately. 264. When looking at quality, there is no visible difference between dnxhd and cineform. 265 is a new standard that all iOS devices use as a default video. Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. 一開始只是因為Premiere Pro轉不出120fps的代理素材，結果就給我挖到了這一塊寶。記得開啟cc字幕~開源+免費+免註冊+專業+全能+想得到的轉檔功能. 6. 264, which is already quite compressed, ProRes 422 most closely matches the original image quality. But you'd really need to do an A/B comparison to notice. TIFF. It was designed by software developers that for decades had suffered implementing "industry standard" codecs such as MPEG2 or H. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. Premiere’s default installation also includes other common workflow. For the encoding part it's not too much of a problem (it would be a good addition anyway), youtube accepts ProRes, Cineform and DNxHR (if someone wants the top quality. H265 1fps Conclusion- there is no clear winner. ago. 2. Even if it's screen recorded and then saved as ProRes, it's still and end-of-workflow format. On a Mac I recommend the FTP client app ‘Transmit” by Panic. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. I rendered a video clip in 5. Download and info for Video Space Calculator. Dnx is the way to go. 264 to something else is probably a good thing. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. Traditionally video monitors mean video signal chain. 265 to Apple ProRes on Mac/Windows. Most cameras still shoot in HD resolution at 1920×1080 pixels. 6. Ideally, you should use the exact same format as. What video formats can Xbox One Play? Ans. Notionページ：ProRes vs DNxHR vs GoPro CineForm vs Grass Valley 比較. Where a GPU might only need 10W to decode 4k Cineform, 4k ProRes might draw 25-50W on the CPU (numbers only used for illustration purposes). 5. I've recently been requested to output my work using Prores 422 for a large film event. Speed wise- ProRes realtime, Cineform+GV HQX 2x faster than realtime, DNxHR HQX 1. Davinci Resolve encode: YUV 10-bit, RGB 16-bit. Under 'bitrates adjustment' click 'VBR' until it says 'CQ'. – stib. Cineform is an excellent alternative, but a bit slower on Macs. After FFMPEG implemented their version of ProRes everyone hoped. Often, you can begin editing immediately after recording. Do we really need Cineform and Prores even in the 2020s? By Truthler in forum Video Conversion Replies: 25 Last Post: 28th Dec 2020, 02:52. 264 precisa de cerca de 32 Mbps de velocidade para fazer a mesma coisa. In Premiere 23. So. Una de sus grandes bazas es que es la primera cámara con sensor APS-C que permite grabar en 8K con el códec Apple ProRes en tres variantes: ProRes 422 HQ, ProRes 422 y ProRes 422 LT. So ProRes, DNx and Cineform qualify. Render mcraw to DNGs or ProRes/Cineform files from🖥 PC/Mac OS using 🔗MotionCam Tools available for download from. Keywords: video formats, gopro cineform vs prores, cineform vs prores, dit report, prores vs cineformThe ARRI Reference Tool allows you to render ALEXA 35 footage using our new ARRI Debayer Algorithm ADA-7 and REVEAL Color Science, but it is also backwards compatible with all ALEXA/AMIRA cameras. So it’s best to use codecs that are so good you can use them for export, enabling Use Previews in the export settings. MXF should work as that is also SONY. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. 6 GB and 1. 26X series (The newest is H. Cineform is an excellent alternative, but a bit slower on Macs. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. 264 GH4 footage to 1080p 10 bit CineForm, since my PC isn't quite beefy enough for online 4k editing. ProRes is Apple Products, DNx is Avid, Premiere can use any of the three comfortably (it can only read ProRes on Windows) though I think they've started to put. Also, it could easily be argued that both H. 264 in the timeline and on export. . So, any video format which supports them is good for video compression. mov ProRes 4444 XQ 10bit. H. 265 didn't exist. Since ProRes is in the title of the post, and some discussion about wanting DNG 3:1 I thought I could include my blind test link in this thread. #5. Cineform is best if your project will be going cross-platform at any point. 3. Over time more features have been added, from HD, to 3D, to 4k and beyond. With the future more firmly in mind, ProRes was created (in 2007) as a transcoding codec which balanced post-production needs and image quality, and it later grew into an acquisition and delivery codec. On March 30, 2011, the company was acquired by GoPro which in particular wanted to use the 3D film capabilities of the CineForm 444 Codec for its 3D HERO System. epr" extension. MOV format works almost as well. I don't care about file size so which codec is best for me. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. 動画A、Bそれぞれを1920×1080にリサイズして書き出し。 ビットレートの詳細情報をMediaInfo(ソフトウェア)と、ffmpeg -i <inputfile>コマンドで確認。 Because h. In that case, pick Apple ProRes 4444 with Alpha, or maybe go for Pro CineForm 12 bit with Alpha. for use in post-production that supports video resolution up to 8K. mov, . Re: Cineform 16bit RGB small note. Just export some seconds of plain black to CineForm and to ProRes. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. What is the Best Video File Export Settings for YouTubeDownscaling and transcoding to ProRes or CineForm at 1080p can convert the RGB 4K data from the GH4’s 4K 100Mbit/s codec to the higher bit depth of 10bit and colour sampling of 4:4:4. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. O H. So ProRes, DNx and Cineform qualify. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. At some point, power consumption might also be a consideration. 98 fps. Hello! I noticed, that when i'm importing these types of files. I used GoPro MAX Exporter to generate three different files: a Cineform, a HEVC and an H264, obtaining these dimensions: Cineform: 3. Translate. 2. Resolve also reports that ProRes 4444 and 4444 XQ files are 16-bit, when in fact only the alpha channel can be up to 16-bit. Since the color space of Standard Definition tends to be 4:1:1--formats like H. 摘要. is an even better scenario than proxies for some because you have the benefit of much better playback performance, and you can use smart rendering to make your Cineform exports lightning fast. Thu Mar 30, 2023 6:16 am. Traditionally video codecs have been defined by chip makers and not by software developers. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate. The only real downside to this method is the high storage requirements and the need for good hard. 97 fps.